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linking together

  • 1 linking together

    1. соединение
    2. соединяющий

    The English-Russian dictionary general scientific > linking together

  • 2 linking together

    Универсальный англо-русский словарь > linking together

  • 3 linking together

    mentautkan

    English-Indonesian dictionary > linking together

  • 4 linking together

    English-Russian dictionary of chemistre > linking together

  • 5 linking up

    соединяющий; соединение

    English-Russian big medical dictionary > linking up

  • 6 linking

    сочленение; соединение; сопряжение

    English-Russian dictionary on nuclear energy > linking

  • 7 Linking

    See point to point sewing. ———————— A knit goods term for the joining together of knitted loops in a part of a garment - joining together two coarses of knitting - or one course with the selvedge loops.

    Dictionary of the English textile terms > Linking

  • 8 scarfing together

    1. соединение в ус

    now all together a — теперь все вместе, а теперь хором

    2. соединяющий в ус

    English-Russian big polytechnic dictionary > scarfing together

  • 9 drawing together

    1. соединение
    2. соединяющий

    English-Russian big polytechnic dictionary > drawing together

  • 10 Point To Point Seaming (Linking)

    One of the most successful and desirable methods of joining selvedge goods is the point to point method. The articles are made in flat pieces, which are afterwards turned along their centre line and joined together point by point, that is, the stitch in one edge has its counterpart in the other, and each point in the machine holds a pair of loops, which the seaming threads of the machine then unite or join together. Such an operation is required for full-fashioned goods, while the process is termed linking, having special reference to the joining of toes in goods made on the seamless hose producing machines. Such articles are seamless, except that they require to be joined across the upper part of the toes in order to close them.

    Dictionary of the English textile terms > Point To Point Seaming (Linking)

  • 11 соединение

    1) General subject: Junc., agglutination, aggregate, alliance, amalgam, association, coaptation (костных обломков при переломе, краёв раны), combination (хим., мат.), composition, compound, confluence (дорог), conflux, congery, conjugation, conjunction, connection, copulation, coupling, coupling (космических кораблей), formation, hook-up, hookup, interconnection, join, joining, joint, junction, juncture, ligature, linkage, linking, marriage, tie, twinning, union, unit, integration, mergence, interjunction
    2) Computers: merging, patch
    3) Naval: squadron, uniting
    4) Medicine: adhesion, aggregation, coalescence (напр. костей), communication, communication (в анатомии), fusion (напр. отломков кости), interlocking
    5) Obsolete: conjuncture
    6) Military: body, body of troops, command, (механическое)(химическое) compound, (механическое) connection, (механическое) coupling, force, (войсковое) formation, (механическое) joint, junction (манёвр), large command, link-up (десанта с наземными войсками), major formation, major unit, military force, (воинская) military formation, organization, tactical organization
    8) Bookish: adunation, inosculation
    9) Agriculture: junction (труб), pairing (хромосом)
    10) Rare: conflation
    12) Construction: (электрическое) contact, joining together, link, making a connection, bonding bar, clasp
    13) Anatomy: ally, commissure, raphe
    15) Railway term: coalition, combining, turning joint
    16) Law: joinder
    17) Economy: pair
    18) Linguistics: collection
    20) Architecture: linking link, union (в т.ч. и соединение частей здания, конструкций или деталей)
    22) Diplomatic term: connexion ( connection)
    23) Forestry: assembly, consolidation
    24) Metallurgy: engagement
    26) Psychology: concatenation (событий, идей)
    27) Telecommunications: trunking
    29) Information technology: bond (электрическое), concatenation, connexion, getting connected, join (операция над отношениями в реляционных базах данных), liaison, link (в сети), nexus, patch (временное)
    31) Special term: suture
    32) Communications: call setup (напр., с абонентом мобильной связи)
    34) Geophysics: contact
    35) Mechanic engineering: connecting box, connecting shaft, governor
    36) Metrology: bond
    37) Mechanics: commutation
    38) Perfume: coherence
    39) Power engineering: bond
    41) SAP. rel., relatshp
    42) Drilling: attachment, close, conn (connection), cplg (coupling)
    43) American English: compound (chemical), formation (military)
    45) Network technologies: Connection (В среде коммутируемых виртуальных соединений (SVC) объекты управления LANE устанавливают соединение с использованием сигнализации UNI), Connection (Соединение ATM представляет собой объединение (конкатенацию) связей (link) уровня ATM для обеспечения сквозной передачи информации в точке доступа), connective
    46) Automation: bind, (при) bonding, clutch, (химическое) compound, connection joint, interlinking, linkup, (временное) patch (в сети), tangency (линий)
    49) Makarov: apposition, article, articulation, association (действие), blend, blending, combine, commissure (анат., бот), compound (химическое), conjunction (объединение), conjunction (связь), connection (деталей болтами, сваркой, клёпкой и т.п.), connection (эл., радио), connectivity, connexion (деталей болтами, сваркой, клёпкой и т.п.), connexion (эл., радио), coupler, fitment, force (воинское), gang, grafting (досок и т.п.), halving, in-between, interconnexion, interlock, joint (деталей болтами, сваркой, клёпкой и т.п.), seam, splice (внахлёстку), tack, track, wedding
    50) Gold mining: complex
    51) Internet: Contention (Состояние, возникающее при обмене данными между двумя или несколькими станциями по одной линии или каналу)
    52) Electrochemistry: bond
    53) SAP.tech. edge, relationship
    54) oil&gas: pipe joint
    55) Foreign Ministry: tactical formation
    56) Electrical engineering: bond, splicing (внахлёстку)

    Универсальный русско-английский словарь > соединение

  • 12 trabazón

    f.
    jam, clogging.
    * * *
    1 (enlace) bond, tie
    2 COCINA (de masa etc) thickness
    3 figurado (conexión) connection, link, bond
    * * *
    SF
    1) (Téc) joining, assembly
    2) [de líquido] consistency
    3) (=coherencia) coherence
    * * *
    femenino linking together
    * * *
    femenino linking together
    * * *
    linking together
    * * *

    trabazón sustantivo femenino
    1 (de un discurso) link
    2 (juntura) joint
    3 Culin thickness
    * * *
    1. [unión] assembly
    2. [de salsa] thickening
    3. [conexión] link, connection;
    le falta trabazón al argumento de la obra the plot is disjointed o doesn't hang together

    Spanish-English dictionary > trabazón

  • 13 соединяющий

    1) General subject: unitive
    2) Naval: seaming
    3) Medicine: annectent
    4) Latin: communicans
    7) Mathematics: combining, connecting, joining, uniting
    8) Architecture: conjunctive
    9) Food industry: bridging, twinning
    10) Atomic energy: apposing
    11) Automation: binding
    13) SAP.tech. linking

    Универсальный русско-английский словарь > соединяющий

  • 14 Creativity

       Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)
       Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)
       There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)
       he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)
       he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)
       From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)
       Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)
       The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)
       In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)
       he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)
        11) The Earliest Stages in the Creative Process Involve a Commerce with Disorder
       Even to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)
       New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)
       [P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....
       Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)
       A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....
       Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)

    Historical dictionary of quotations in cognitive science > Creativity

  • 15 соединение

    •

    A welded joint...

    II
    •

    Linking together the monomer units...

    •

    Oxidation is defined as the combination (or union) of oxygen with some other element.

    •

    The term "hydride" is used to describe a compound of an element with hydrogen.

    Русско-английский научно-технический словарь переводчика > соединение

  • 16 अनुघटनम् _anughaṭanam

    अनुघटनम् Linking together with; क्षिप्ता कथानुघटनाय मयापि वाणी K.24.

    Sanskrit-English dictionary > अनुघटनम् _anughaṭanam

  • 17 भावः _bhāvḥ

    भावः [भू-भावे घञ्]
    1 Being, existing, existence; नासतो विद्यते भावः Bg.2.16.
    -2 Becoming, occurring, taking place.
    -3 State, condition, state of being; लताभावेन परिणतमस्या रूपम् V.4; U.6.23; so कातरभावः, विवर्णभावः &c.
    -4 Manner, mode.
    -6 Rank, station, position, capacity; देवीभावं गमिता K. P.1; so प्रेष्यभावम्, किंकरभावम् &c.
    -6 (a) True condition or state, truth, reality; परं भावमजानन्तः Bg.7.24; इति मत्वा भजन्ते मां बुधा भावसम- न्विताः 1.8. (b) Sincerity, devotion; त्वयि मे भावनिबन्धना रतिः R.8.52;2.26.
    -7 Innate property, disposition, nature, temperament; स तस्य स्वो भावः प्रकृतिनियतत्वादकृतकः U.6.14.
    -8 Inclination or disposition of mind, idea, thought, opinion, supposition; हृदयनिहितभावा गूढमन्त्रप्रचाराः किमपि विगणयन्तो बुद्धिमन्तः सहन्ते Pt.3.43; Ms.8.25;4.65; निकृष्टोत्कृष्टयोर्भावं यास्तु गृह्णन्ति ताः स्त्रियः Bu. Ch.4.23.
    -9 Feeling, emotion, sentiment; एको भावः Pt.3.66; Ku.6. 95; निर्विकारात्मके चित्ते भावः प्रथमविक्रिया S. D. (In the dramatic science or in poetic compositions generally, Bhāvas are either स्थायिन् primary, or व्यभिचारिन् subordinate. The former are eight or nine, according as the Rasas are taken to be 8 or 9, each rasa having its own स्थायिभाव. The latter are thirty-three of thirty four in number, and serve to develop and strengthen the prevailing sentiment; for definition and enumera- tion of the several kinds, see R. G. first ānana, or K. P.4).
    -1 Love, affection; attachment; द्वन्द्वानि भावं क्रियया विवव्रुः Ku.3.35; कुमुद्वती भानुमतीव भावं (बबन्ध) R.6.36.
    -11 Purport, drift, gist, substance; इति भावः (often used by commentators); जनको$प्युत्स्मयन् राजा भावमस्या विशेषयन् । प्रतिजग्राह भावेन भावमस्या नृपोत्तम Mb.12,32.18.
    -12 Meaning, intention, sense, import; अन्योन्यभावचतुरेण सखीजनेन मुक्तास्तदा स्मितसुधामधुराः कटाक्षाः Māl.1.25.
    -13 Resolution, determination.
    -14 The heart, soul, mind; तयोर्विवृतभावत्वात् Māl.1.12; भावसंशुद्धिरित्येतत् तपो मानसमुच्यते Bg.17.16; स्व एव भावे विनिगृह्य मन्मथम् Bu. Ch.4.11.
    -15 Any existing thing, an object, a thing, substance; पश्यन्ती विविधान् भावान् Rām.2.94.18; जगति जयिनस्ते ते भावा नवेन्दुकलादयः Māl.1.17,36; R.3.41; U.3.32.
    -16 A being, living creature.
    -17 Abstract medita- tion, contemplation (= भावना q. v.).
    -18 Conduct, movement.
    -19 (a) Gesture, behaviour; अहिंसा समता... भवन्ति भावा भूतानाम् Bg.1.5. (b) Amorous gesture or expression of sentiment; gesture of love; कामं प्रिया न सुलभा मनस्तु तद्भावदर्शनाश्वासि Ś.2.1.
    -2 Birth; तवाहं पूर्वके भावे पुत्रः परपुरंजय Rām.7.14.2.
    -21 The world, universe.
    -22 The womb.
    -23 Will; घोरैर्विव्यधतुर्बाणैः कृतभावावुभौ जये Rām.6.9.38.
    -24 Superhuman power; मिथो घ्नतं न पश्यन्ति भावैर्भावं पृथग्दृशः Bhāg.1.4.27.
    -25 Advice, instruction.
    -26 (In dramas) A learned or venerable man, worthy man, (a term of address); भाव अयमस्मि V.1; तां खलु भावेन तथैव सर्वे वर्ग्याः पाठिताः) Māl.1.
    -27 (In gram.) The sense of an abstract noun, abstract idea conveyed by a word; भावे क्तः.
    -28 A term for an impersonal passive or neuter verb.
    -29 (In astr.) An astronomical house.
    -3 A lunar mansion.
    -31 An organ of sense.
    -32 Welfare (कल्याण); भावमिच्छति सर्वस्य नाभावे कुरुते मनः Mb.5.36.16.
    -33 Protection; द्रोणस्याभावभावे तु प्रसक्तानां यथा$भवत् Mb.7.25.64.
    -34 Fate, destiny (प्रारब्ध); नातिप्रहीणरश्मिः स्यात्तथा भावविपर्यये Mb.5.77.14.
    -35 Consciousness of past perceptions (वासना); येभ्यः सृजति भूतानि काले भावप्रचोदितः । महाभूतानि पञ्चेति तान्याहुर्भूतचिन्तिकाः ॥ Mb.12.275.4.
    -36 Lordship (प्रभुत्व); ते$पि भावाय कल्पन्ते राजदण्डनिपीडिताः Rām.2.67. 32.
    -37 The six states (अवस्थाषट्क); A, Rām.1.7.31.
    -Comp. -अनुग a. not forced, natural. (
    -गा) a shadow.
    -अन्तरम् a different state.
    -अद्वैतम् 1 a natu- ral cause.
    -2 material cause (as thread of a cloth).
    -3 identity of conception, oneness of view.
    -अर्थः 1 the obvious meaning or import (of a word, phrase &c.).
    -2 the subject matter; सर्वेषामपि वस्तूनां भावार्थो भवति स्थितः Bhāg.1.14.57.
    -आकूतम् (secret) thoughts of the mind; हृदयनिहितं भावाकूतं वमद्भिरिवेक्षणैः Amaru.4.
    -आख्यः One of the two types of creation according to the Sāṅkhya philosophy; लिङ्गाख्यो भावाख्यस्तस्माद् द्विविधः प्रवर्तते सर्गः Sāṅ. K.52.
    -आत्मक a. real, actual.
    -आभासः simulation of a feeling, a feigned or false emotion.
    -आलीना a shadow.
    - एकरस a. influenced solely by the sentiment of (sincere) love; ममात्र भावैकरसं मनः स्थितम् Ku.5.82.
    -कर्तृकः an impersonal verb; Kāśi. on P. II.3.54.
    -गतिः f. power to convey human feelings; भावगतिराकृतीनाम् Pratimā 3.
    -गम्भीरम् ind.
    1 heartily, from the bottom of the heart.
    -2 deeply, gravely.
    -गम्य a. conceived by the mind; ममत्सादृश्यं विरहतनु वा भावगम्यं लिखन्ती Me.87.
    -ग्राहिन् a.
    1 understanding the sense.
    -2 appreciating the sentiment.
    -ग्राह्य a. to be conceived with the heart; भावग्राह्यमनीडाख्यं भावाभावकरं शिवम् Śvet. Up.5.14.
    -चेष्टितम् amorous gesture.
    -जः 1 love.
    -2 the god of love.
    -ज्ञ, -विद् a. knowing the heart.
    -दर्शिन् a. see भालदर्शिन्.
    -निर्वृत्तिः the material creation (Sāṅ. phil.); न विना लिङ्गेन भावनिर्वृत्तिः Sāṅ. K.52.
    -नेरिः a kind of dance.
    -बन्धन a. enchanting or fettering the heart, linking together the hearts; रथाङ्गनाम्नोरिव भावबन्धनं बभूव यत्प्रेम परस्पराश्रयम् R.3.24.
    -बोधक a. indicating or revealing any feeling.
    -मिश्रः a worthy person, a gentleman (used in dramas); प्रसीदन्तु भावमिश्राः Ś.6.
    -रूप a. real, actual.
    -वचनम् denoting an abstract idea, conveying the abstract notion of a verb.
    -वाचकम् an abstract noun.
    -विकारः a property of a being; षड् भावविकारा भवन्तीति वार्ष्यायणिः । जायते$स्ति विपरिणमते वर्धते$पक्षीयते नश्यति ।
    -वृत्तः an epithet of Brahman.
    -शबलत्वम् a mixture of various emotions (भावानां बाध्यबाधकभावमापन्नानामुदासीनानां वा व्यामिश्रणम् R. G., vide examples given ad loc.).
    -शुद्धिः f. purity of mind, honesty, sincerity.
    -शून्य a. devoid of real love; उपचारविधिर्मनस्विनीनां न तु पूर्वाभ्यधिको$पि भावशून्यः M.3.3.
    -संधिः the union or co-existence of two emotions (भावसंधिरन्योन्यानभिभूतयोरन्योन्याभिभावनयोग्ययोः सामानाधिकरण्यम् R. G., see the examples there given).
    -समाहित a. abstracted in mind, devout.
    -सर्गः the mental or intellectual creation; i. e. the creation of the faculties of the human mind and their affections (opp. भौतिकसर्ग or material creation).
    -स्थ a. attached; devoted (to one); न वेत्सि भावस्थमिमं कथं जनम् Ku.5.58.
    -स्थिर a. firmly rooted in the heart; Ś.5.2.
    -स्निग्ध a. affection- ately disposed, sincerely attached; भावस्निग्धैरुपकृतमपि द्वेष्यतां याति किंचित् Pt.1.285.
    -भावंगम a. charming, lovely.

    Sanskrit-English dictionary > भावः _bhāvḥ

  • 18 concatenamento

    1 ( il concatenare) linking together
    2 (letter.) ( connessione) concatenation, connection
    3 (inform.) connection.
    * * *
    [konkatena'mento]
    sostantivo maschile (di eventi) chain
    * * *
    concatenamento
    /konkatena'mento/
    sostantivo m.
    (di eventi) chain.

    Dizionario Italiano-Inglese > concatenamento

  • 19 concatenazione

    1 ( il concatenare) linking together
    2 concatenation, link, connection
    3 (biol.) linkage.

    Dizionario Italiano-Inglese > concatenazione

  • 20 ἐπάλλαξις

    A interweaving or dovetailing, Antipho Soph.20 (pl.);

    αἱ ἐ. τοῦ χάρακος Plb. 18.18.11

    ; ἡ ἐ. τῶν δακτύλων crossing of two fingers so as to feel double, Arist.Metaph. 1011a33, Insomn. 460b20, Pr. 958b14; linking together, Id.Mete. 387a12.
    2 overlapping of species, Id.GA 732b15; confusion of different things, Str.12.8.2.
    b alternation, Pl. Sph. 240c.
    3 change,

    θέσεως Hierocl. in CA1p.419M.

    ;

    διαιτημάτων Gal.6.59

     (pl.); varieties of abnormal constitutions, ib.385 (pl.).

    Greek-English dictionary (Αγγλικά Ελληνικά-λεξικό) > ἐπάλλαξις

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